All of these albums have been on heavy rotation in my car the last few weeks since we returned.
I suppose my favorite of the eight--so far--is the Guadalcanal Diary album. I've written about GD in here before and I love that band. Superficially, they are R.E.M.-like, but lead singer/songwriter Murray Attaway comes off as way more agitated than Michael Stipe (and Attaway's voice is closer to Mike Mills, if we are to continue with the R.E.M. comparison).
2×4 was released in 1987, which in retrospect was a great year for music. The album was also the pinnacle of Guadalcanal Diary's career. They'd release one more album (1989's Flip-Flop) before disbanding, only reuniting sporadically since. (Guitarist and songwriter Jeff Walls died in 2019). 2×4 has the toughest and most aggressive sound they achieved. John Poe's drumming--always powerful--is especially thunderous on this record, particularly on the opener, "Litany (Life Goes On)." The second track, "Under the Yoke," has Southern rock swagger and comes off as sort of a "college rock" cousin of early '70s ZZ Top. And then there are the final two tracks: "3 AM," a quiet but intense song about a desperate alcoholic, and the psychedelic-tinged "Lips of Steel" that indicates the band may have listened to the Beatles' "Tomorrow Never Knows" just a few times. (The band also covers "And Your Bird Can Sing," so it stands to reason Revolver was in heavy rotation--or at least on their minds).
So there you have it: Guadalcanal Diary's 2×4. Even though I already have it on vinyl, there was no way I was passing up a CD copy of it.