What David Bowie has meant to me
Sometime in 1983, David Bowie's Let's Dance album penetrated the hinterlands of Michigan's rural Thumb region and helped to change my life. The hipster cognoscenti may pooh-pooh Let's Dance and dismiss it as Bowie's concession to commercialism, but to many of us growing up in small towns across America, the music and imagery of that record couldn't possibly be much more odd and otherwordly. So what folks in New York, London, and Los Angeles considered pop confectionery was a small town kid's ticket to a world he or she previously did not know existed. A gateway drug to a wider and wilder realm of experience. The greatest quality of Let's Dance was that it was commercial enough to make it into the living rooms of middle America, and it was just weird enough for us middle-class, white bread kids to turn us on to ideas, sounds, and visuals we had little (or no) idea existed outside of our boring little bubbles. It's so long ago that I was tur...