I don't even know how to begin, and I know whatever I say will end up sounding trite. What an amazing, historic, and emotional day. I was reminded of Martin Luther King's "I've Been To the Mountaintop" speech, the one he delivered in Memphis the day prior to his assassination. It's the King speech that has always stirred the most emotion in me, even more than the much more lauded "I Have a Dream" speech. Near the end, in the part that always makes me teary-eyed, King says: "I just want to do God's will. And He's allowed me to go up to the mountain. And I've looked over. And I've seen the Promised Land. I may not get there with you. But I want you to know tonight, that we, as a people, will get to the promised land!" I always have believed that the "we" in "we, as a people" could apply as much to whites as blacks. Perhaps whites just didn't realize that they needed to make it to the promised land. Well...
Former Replacements guitarist Bob "Slim" Dunlap died on December 18 after many years of ill health. Though Slim didn't join the Replacements (aka the 'Mats) until 1987, this seems the perfect time to write about the band's 1984 album Let It Be , and thus continue with this little series on 1984 long players. Let's rewind to that magical year of 1986, the year I have rhapsodized about so often in this blog. I don't remember exactly how this happened, but sometime in autumn '86, Ron P.--an older guy who lived on my dorm floor--let me borrow his vinyl copy of Let It Be . I assume this has to do with the R.E.M. factor. Ron may have thought that Let It Be was similar enough to R.E.M. that I'd like it, and maybe it also had to do with R.E.M.'s Peter Buck being guest guitarist on the opening track, "I Will Dare." (All roads lead back to R.E.M.). Allow me to digress for a moment and say a retrospective "thank you" to all the peop...
The one somewhat positive development of our delay yesterday was we had to stay over night at the TWA Hotel next to JFK Airport. It was built in 1962 as the TWA Terminal (I think I have that right), and is a masterpiece of mid-century modern architecture. It's like stepping into the Jetsons animated show (which, when you think of it, introduced kids everywhere to the mid-century modern design aesthetic--whether they knew it or not). I wish we'd had more time and energy to enjoy it, but we were fried from our travels from Edinburgh to New York. By the time we got through customs, the entire process of which had to have taken more than an hour after disembarking our plane. We had to walk what felt like a half-mile down a long, wide concourse just to get to customs. Then the process freaks me out. I'm always worried I'll say something stupid and get in trouble--but it was quick and painless. There were so many people that I think the customs folks just wanted to get us thr...
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